A collaboration with Andrea del Verrocchio, in which the young Leonardo painted the kneeling angel at the far left and much of the landscape behind it. Vasari records that Verrocchio, on seeing his pupil's angel, resolved never to touch paint again — a story that is almost certainly embroidered but tells you how visible the difference in handling was.
A collaboration with Andrea del Verrocchio, in which the young Leonardo painted the kneeling angel at the far left and much of the landscape behind it. Vasari records that Verrocchio, on seeing his pupil's angel, resolved never to touch paint again — a story that is almost certainly embroidered but tells you how visible the difference in handling was.Read more
